Flames of Light

RSP - Reinhold Staden Photography - Flames of Light
Developing my personal style

Image 18/20 – Flames of Light

This image is part of my series: Develop my personal style

Yesterday. Early in the morning. In the moor. The rising sun is throwing flames of light at this tree. It only lasts for a minute. I nearly missed that moment. The routine of setting up the tripod, mounting camera and lens, attaching the filter holder, mounting the filter and doing all the settings works better in these days. It’s all about practice. A few months ago I would have missed that moment.

The first 17 images are already published. If you are interested… please visit my blog to view the other images of my series. Thanks in advance!

Winter Storm

RSP - Reinhold Staden Photography - Winter Storm

What am I doing? Winter storm in Dangast in the National Park Wadden Sea, high tide, gray, cold, windy, rain. And there I am… trying to shoot a long exposure image. Tripod, lens, camera, filter (big stopper)… dirty and wet. I got wet. 30 seconds in these weather conditions is a long time. I used every trick I had in mind to stabilize the camera. There is some blur… but I think that is OK. 1 image, back into the car. Hope you like it! 🙂

© RSP – Reinhold Staden Photography

November 2016

In Time

18:50. Just finished a light dinner. Looking out of the window, there was fantastic light in the sky. A stunning sunset was on it’s way. Sunset was expected to be at 19:15. 30 minutes to go (drive). I picked up my gear and tripod and jumped into the car, heading for the nearby lake (10-15 minutes drive). I arrived at 19:05 at the parking lot by the lake. I rushed to the platform (new location) at the sailing boat club and set up my stuff. Tripod, adapter, Fuji X-T1, lens adapter, filter holder, big stopper + ND grad, cable release. Looked for the optimal focus point, f11, bulb mode. By then it was 19:15. More clouds showed up during this time. Ready for the first 90 sec. exposure. Too dark. Next one. 120 sec. Still too dark. 240 sec. Looked ok on the small screen of the X-T1. Turned the camera from right to left. Other composition. Where is the focus point? Ahhh, found it. Next shot. 300 sec. Too dark. Next one. 360 sec. Looked ok. It is over. No light left. 5 images. Lesson learned. Be in time. I forgot to change the aperture from 11 to 8 to 5.6 rather than enhancing the time. Next time I will be prepared, focused and in time.

Hope you still enjoy the last minute images. Have a nice weekend.

Smiles. Reinhold

RSP - Reinhold Staden Photography - In Time

RSP - Reinhold Staden Photography - In Time


Why I love to use the LEE Seven5 filter system!

RSP - Reinhold Staden Photography - Morning Flow
RSP – Reinhold Staden Photography – Morning Flow

My decision to focus on landscape photography and the acquisition of the LEE Seven5 filter system for my Fujinon lens lineup – have severely changed my photography workflow.

The most relevant change:

Composing images using the filter system actually requires the use of a tripod. You can use it without, but I would not recommend it. Read on and you will see why.

Setting up my photography gear – tripod, Fuji XT-1, filter holder adapter, filter holder, grad/effect filter and may be a Little/Big Stopper (and a cable release for long exposures) requires some time and effort.

Finding a composition to justify this time and effort is another essential aspect in my workflow.

This approach introduced something new: to NOT take a photograph. No random, instant shots anymore. Biggest change ever!

After setting up my gear it takes a while to compose the image in the view finder / live view screen. The X-T1 has the big advantage to support a high resolution image view in the electronic view finder and the live view screen.

Now it is time for my first action. Determine the aperture. For „normal“ landscape photography I use the f5.6 to f8 (the maximum is f11) range (sweet point) of my lens line up. I determine the optimal focus point for the shot. I never use f16 or f22 to increase depth of field. I rather take two shots using f5.6 or f8 (one focused on the foreground and one on the focus point / background and align / blend these 2 images in Photoshop).

Set your camera to M (Manual) mode (don’t forget this as I did on my first try) and insert the graduated ND or effect filter into the holder. You will see the result immediately (or not if you have not set the camera to M) in the EVF / Live View (if you own a camera which supports this). If you shoot seascapes a 0.3, 0.6 or 0.9 HARD graduated filter could be the right choice. (they reduce the light by 1 – 3 stops and balance the light difference between sky and landscape). If you have objects which lean into the sky (horizon) you could use a SOFT graduated filter. The difference is easy to explain. The HARD one has a well defined transition between dark and transparent the SOFT one has a soft transition between these areas. If you use a HARD filter and you compose a castle at a hill leaning into the sky and clouds, the light reduction will be seen on the upper parts of the castle. A SOFT filter will not create this effect. So your composition determines the usage of a HARD or SOFT filter.

For long exposures I currently add a Big Stopper (10 stops) into the filter holder. It has to be placed into in the first slot in the holder, so the foam on the back covers the lens and avoids light leaking from the side into the lens. But details of long exposures will be subject to one of the following posts.

RSP - Reinhold Staden Photography - Endless
RSP – Reinhold Staden Photography – Endless

This new workflow reduced my OUTPUT per shoot to 5 – 10 images, sometimes less. Before, I easily reached the 100 shots limit of which I deleted 95, not because of technical imperfection but of meaningless and mediocre compositions.

This in my major benefit of using the new filter system in my workflow.

I have no relation to LEE and there are other (cheaper) alternatives to consider. This is my personal view of why filters can change the workflow of photography.

Can all of this be done in LR and PS in post? Some of it certainly (except long exposure). But if the sky is burnt out, you will not be able to recover. And if you meter the sky, your foreground will be very dark. New cameras have a dynamic range which let you recover a lot of details. Or you use HDR. Or… But I rather start with one (maximum two) „balanced“ image(s) and do some „fine-tuning“ in LR and PS.

All of this adds factors to one important personal insight regarding landscape photography: where to go next and when (very early, late in the evening) is the key to cool images. The gear just helps to capture these magic moments in the best way. And I will have to spent much more time in this field!

Stay tuned for more insights of my curved and steep way up to professional landscape photography!

PS: I hope some of my writing makes sense. I have to practice writing photography content in English too. Smiles. Reinhold

My current components of the LEE Seven5 filter system

RSP - Reinhold Staden Photography - LEE Seven5 - Adaptor
Lens Adaptor (58mm) for 14mm and 18-55mm
RSP - Reinhold Staden Photography - LEE Seven5 - Filter Holder
Filter Holder
RSP - Reinhold Staden Photography - LEE Seven5 - ND Grad 0.6 Hard
ND Grad 0.6 Hard
RSP - Reinhold Staden Photography - LEE Seven5 - Big Stopper
Big Stopper (10 stops)

© RSP – Reinhold Staden Photography

September 2016

Rainbow Bridge

RSP - Reinhold Staden Photography - Rainbow Bridge

Mixed weather. Rain on one side, sunshine on the other side. While I was shooting this long exposure (180 sec) a rainbow appeared on the right side in the background for about 30 seconds. Enough to leave a trace in the image. A good start into your week! Smiles. Reinhold

© RSP – Reinhold Staden Photography

September 2016

Using Lee Seven5 filter system at Lake Zwischenahner Meer

Lake Zwischenahner Meer, Ammerland, North Germany

August 26, 2016

19:30 – 20:30

Fuji X-T1, 14mm f2.8, Lee lens adapted and filter holder, ND Grad. 0.6 Hard (2 stops), Big Stopper (10 stops), Manfrotto tripod, cable release

The Plan:
Long exposure photographs of pier and boats at lake “Zwischenahner Meer”.  I created my vision with a sketch app (Sketches) of my iPad.

RSP - Reinhold Staden Photography - Boats
RSP – Reinhold Staden Photography – Boats

Estimated shots: 4

1 bracket shot (no filter) 3 exposures -1 +-0 +1

1 focused on foreground (no filter)

1 focused on pier and boats (no filter)

1 long exposure (30-240 sec) f8-16


And here are two results:

RSP - Reinhold Staden Photography - Boats

RSP - Reinhold Staden Photography - Boats

I was lucky to meet 3 young men who were fishing at the lake. One of these guys positioned the net for me in the foreground. Very helpful!

© RSP – Reinhold Staden Photography

August 2016